
WAXAHATCHEE 'CERULEAN SALT' LP - PURPLE PINWHEEL
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfieldâs compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last Januaryâs American Weekend â â a collection of minimal acoustic-guitar pop written and recorded in a week at her familyâs Birmingham home.
On this new record, Crutchfieldâs songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearinâ guitarist Kyle Gilbridge on drums and bass. The full band means fleshed-out fuzzy lead guitars on âCoast to Coastâ, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like âMisery over Disputeâ and âWaitingâ.
Thereâs plenty of American Weekendâs introspection and minimalism to be found, though. âBlue Pt. IIâ is stripped down, Crutchfield and her sister Alison (of Swearinâ) singing in harmony with deadpan vox. Sheâs still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. âPeace and Quietâ ebbs and flows from moody, minimal verses to a sing-song chorus. âSwan Diveâ tackles nostalgia, transience, indifference, regret â over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on âYouâre Damaged,â possibly the best Waxahatchee song to date.
Tracklist:1. Hollow Bedroom
2. Dixie Cups and Jars
3. Lips and Limbs
4. Blue Pt. II
5. Brother Bryan
6. Coast to Coast
7. Tangled Envisioning
8. Misery Over Dispute
9. Lively
10. Waiting
11. Swan Dive
12. Peace and Quiet
13. You're Damaged
Credits:
Recorded by Kyle Gillbride
Photography and layout by Ryan Russell
Original: $26.00
-65%$26.00
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Description
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfieldâs compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last Januaryâs American Weekend â â a collection of minimal acoustic-guitar pop written and recorded in a week at her familyâs Birmingham home.
On this new record, Crutchfieldâs songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearinâ guitarist Kyle Gilbridge on drums and bass. The full band means fleshed-out fuzzy lead guitars on âCoast to Coastâ, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like âMisery over Disputeâ and âWaitingâ.
Thereâs plenty of American Weekendâs introspection and minimalism to be found, though. âBlue Pt. IIâ is stripped down, Crutchfield and her sister Alison (of Swearinâ) singing in harmony with deadpan vox. Sheâs still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. âPeace and Quietâ ebbs and flows from moody, minimal verses to a sing-song chorus. âSwan Diveâ tackles nostalgia, transience, indifference, regret â over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on âYouâre Damaged,â possibly the best Waxahatchee song to date.
Tracklist:1. Hollow Bedroom
2. Dixie Cups and Jars
3. Lips and Limbs
4. Blue Pt. II
5. Brother Bryan
6. Coast to Coast
7. Tangled Envisioning
8. Misery Over Dispute
9. Lively
10. Waiting
11. Swan Dive
12. Peace and Quiet
13. You're Damaged
Credits:
Recorded by Kyle Gillbride
Photography and layout by Ryan Russell














