
BOYGENIUS 'BOYGENIUS' 12" EP - JULIEN BAKER, PHOEBE BRIDGERS, AND LUCY DACUS
Boygenius -Boygenius
released: October 26 2018
Matdor Records
black vinyl 12" EP
we also have records by Phoebe Bridgers, Lucy Dacus, and Julien Baker in the shop
Phoebe Bridgers, Lucy Dacus and Julien Baker formed boygenius after booking a tour together, but the trio had subconsciously been in the works for longer than that. Through a series of tours and performances together, and chance encounters that led to friendships â including Bridgersâ and Dacusâ first in-person meeting backstage at a Philadelphia festival, greenroom hangouts that felt instantly comfortable and compatible, a couple of long email chains and even a secret handshake between Baker and Dacus â the lyrically and musically arresting singer-songwriters and kindred spirits got to know each other on their own terms.
âWhen we met, Lucy and Phoebe and I were in similar places in our lives and our musical endeavors, but also had similar attitudes toward music that engendered an immediate affinity,â Baker explains. âLucy and Phoebe are incredibly gifted performers, and I am fans of their art outside of being their friends, but they are also both very wise, discerning and kind people whom I look up to in character as much as in talent.â
With gut-wrenchingly personal yet easily relatable verses and spare, lilting melodic arrangements, all three are leading a new rock vanguard that values unflinching self-awareness and unassailable songcraft. Bakerâs sophomore LP Turn On the Lights and Bridgersâ debut Stranger in the Alps swept best-of-2017 lists, while Dacusâ meditation on loss, Historian, has already become one of 2018âs most lauded releases. âA long time ago, before I even met Phoebe, Julien mentioned that she had a pipe dream of starting a band with both of us,â says Dacus. âThen we booked this tour and decided the time was right.â
âIt seemed obvious to record a 7-inch for tour, although many adult men will try to take credit for the idea,â adds Bridgers. âWhen we got together, we had way more songs than we expected and worked so well together, that we decided to make a full EP.â
In early June of 2018, they practiced and wrote for a day before holing up in Los Angelesâ storied Sound City studios, eventually taking the EP to Bushwick for mastering courtesy of Heba Kadry (Björk, Slowdive, Beach House). Each brought one finished song and one idea to boygenius, and though all six songs were fleshed out and finalized together, each reflects the sensibilities of its initial author. Bakerâs slow builds and taut vocals add urgency to âSouvenirâ and âStay Down,â while album opener âBite the Handâ roils with slow-burning layers of guitar as Dacus stands in her devastating truth: âI canât love you like you want me to.â The Bridgers-architected âMe & My Dogâ chugs into view with a deceptively simple open-road riff and Bridgersâ insistent recounting of a relationship that couldnât help but fall apart.
âEveryone seemed both confident enough to present ideas and fight for their individual vision, but considerate and humble enough to make decisions which ultimately served the song,â says Baker. âIt was a process that required a balance of determination and forthrightness with graciousness and pliability, and I think that we all did a good job of enacting that.â
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Description
Boygenius -Boygenius
released: October 26 2018
Matdor Records
black vinyl 12" EP
we also have records by Phoebe Bridgers, Lucy Dacus, and Julien Baker in the shop
Phoebe Bridgers, Lucy Dacus and Julien Baker formed boygenius after booking a tour together, but the trio had subconsciously been in the works for longer than that. Through a series of tours and performances together, and chance encounters that led to friendships â including Bridgersâ and Dacusâ first in-person meeting backstage at a Philadelphia festival, greenroom hangouts that felt instantly comfortable and compatible, a couple of long email chains and even a secret handshake between Baker and Dacus â the lyrically and musically arresting singer-songwriters and kindred spirits got to know each other on their own terms.
âWhen we met, Lucy and Phoebe and I were in similar places in our lives and our musical endeavors, but also had similar attitudes toward music that engendered an immediate affinity,â Baker explains. âLucy and Phoebe are incredibly gifted performers, and I am fans of their art outside of being their friends, but they are also both very wise, discerning and kind people whom I look up to in character as much as in talent.â
With gut-wrenchingly personal yet easily relatable verses and spare, lilting melodic arrangements, all three are leading a new rock vanguard that values unflinching self-awareness and unassailable songcraft. Bakerâs sophomore LP Turn On the Lights and Bridgersâ debut Stranger in the Alps swept best-of-2017 lists, while Dacusâ meditation on loss, Historian, has already become one of 2018âs most lauded releases. âA long time ago, before I even met Phoebe, Julien mentioned that she had a pipe dream of starting a band with both of us,â says Dacus. âThen we booked this tour and decided the time was right.â
âIt seemed obvious to record a 7-inch for tour, although many adult men will try to take credit for the idea,â adds Bridgers. âWhen we got together, we had way more songs than we expected and worked so well together, that we decided to make a full EP.â
In early June of 2018, they practiced and wrote for a day before holing up in Los Angelesâ storied Sound City studios, eventually taking the EP to Bushwick for mastering courtesy of Heba Kadry (Björk, Slowdive, Beach House). Each brought one finished song and one idea to boygenius, and though all six songs were fleshed out and finalized together, each reflects the sensibilities of its initial author. Bakerâs slow builds and taut vocals add urgency to âSouvenirâ and âStay Down,â while album opener âBite the Handâ roils with slow-burning layers of guitar as Dacus stands in her devastating truth: âI canât love you like you want me to.â The Bridgers-architected âMe & My Dogâ chugs into view with a deceptively simple open-road riff and Bridgersâ insistent recounting of a relationship that couldnât help but fall apart.
âEveryone seemed both confident enough to present ideas and fight for their individual vision, but considerate and humble enough to make decisions which ultimately served the song,â says Baker. âIt was a process that required a balance of determination and forthrightness with graciousness and pliability, and I think that we all did a good job of enacting that.â














