
BEACH HOUSE 'B SIDES AND RARITIES' LP
This compilation contains every song Beach House â aka Alex Scally and Victoria Legrand â has made that does not exist on one of their albums, and two unreleased songs. The band explains:
When we announced that we were releasing a B-sides and rarities album, someone on Twitter asked, âB-sides record? Why would Beach House put out a B-sides record? Their A-sides are like B-sides.â This random person has a point. Our goal has never been to make music that is explicitly commercial. Over the years, as we have worked on our 6 LPs, it wasnât the âbest" or most catchy songs that made the records, just the ones that fit together to make a cohesive work. Accordingly, our B-sides are not songs that we didnât like as much, just ones that didnât have a place on the records we were making.
The oldest song is âRain in Numbersâ and was recorded in 2005, during the summer when we formed the band. We didnât have a piano, so we asked our friend if we could use his, which was pretty out of tune. We used the mic that was on the four-track machine to record the piano and vocals. It was originally the secret song on our self-titled debut.
The next couple of songs are from late 2008. We were so excited about âUsed to Beâ that we quickly recorded it and put it on a 7â for our fall tour with the Baltimore Round Robin. The same session begat our cover of Queenâs âPlay the Gameâ for a charity compilation benefiting AIDS research; we will continue to donate all profits from the song to that charity. As fans of Queen, we thought it would be fun and ridiculous to try to adapt their high-powered pop song into our realm. These songs were recorded at the same studio where we made Devotion.
There are a bunch of songs written and recorded in the 2009-2010 window. âBabyâ was written and recorded in October 2009 with our friend Jason Quever. â10 Mile Stereoâ was recorded during the Teen Dream session in July 2009. Since we used tape, we often slowed the tape way down to create effects while recording, which led to â10 Mile Stereo (Cough Syrup Remix).â
âWhite Moonâ and âThe Arrangementâ were both songs that we didnât believe fit on Teen Dream. âWhite Moonâ originally appeared on our iTunes live session. Since that was recorded and mixed very hastily, we have remixed it to better match our current aesthetics. We have also remixed and included the version of âNorway" we did at that same session. We wrote and recorded âI Do Not Care for the Winter Sunâ during a break between tours and released it on the internet for free, unmastered. Well, itâs finally been masteredâŠ
âWherever You Goâ is another song from that era. We always loved this song but thought it sounded too much like our old music. We didnât finish it until 2011 during the Bloom recording session. It appeared originally as a secret song on Bloom. âEqual Mindâ was also recorded during the Bloom session, but we left it off the record after realizing it had the exact same tempo as âOther People.â âSaturn Songâ is built on a piano loop we wrote while recording Bloom, and contains sounds recorded in deep space. It originally appeared on a compilation of songs incorporating space sounds that was released in 2014.
Finally, there are two previously unreleased songs from the Depression Cherry/Thank Your Lucky Stars sessions. They are called âChariotâ and âBaseball Diamond.â
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Description
This compilation contains every song Beach House â aka Alex Scally and Victoria Legrand â has made that does not exist on one of their albums, and two unreleased songs. The band explains:
When we announced that we were releasing a B-sides and rarities album, someone on Twitter asked, âB-sides record? Why would Beach House put out a B-sides record? Their A-sides are like B-sides.â This random person has a point. Our goal has never been to make music that is explicitly commercial. Over the years, as we have worked on our 6 LPs, it wasnât the âbest" or most catchy songs that made the records, just the ones that fit together to make a cohesive work. Accordingly, our B-sides are not songs that we didnât like as much, just ones that didnât have a place on the records we were making.
The oldest song is âRain in Numbersâ and was recorded in 2005, during the summer when we formed the band. We didnât have a piano, so we asked our friend if we could use his, which was pretty out of tune. We used the mic that was on the four-track machine to record the piano and vocals. It was originally the secret song on our self-titled debut.
The next couple of songs are from late 2008. We were so excited about âUsed to Beâ that we quickly recorded it and put it on a 7â for our fall tour with the Baltimore Round Robin. The same session begat our cover of Queenâs âPlay the Gameâ for a charity compilation benefiting AIDS research; we will continue to donate all profits from the song to that charity. As fans of Queen, we thought it would be fun and ridiculous to try to adapt their high-powered pop song into our realm. These songs were recorded at the same studio where we made Devotion.
There are a bunch of songs written and recorded in the 2009-2010 window. âBabyâ was written and recorded in October 2009 with our friend Jason Quever. â10 Mile Stereoâ was recorded during the Teen Dream session in July 2009. Since we used tape, we often slowed the tape way down to create effects while recording, which led to â10 Mile Stereo (Cough Syrup Remix).â
âWhite Moonâ and âThe Arrangementâ were both songs that we didnât believe fit on Teen Dream. âWhite Moonâ originally appeared on our iTunes live session. Since that was recorded and mixed very hastily, we have remixed it to better match our current aesthetics. We have also remixed and included the version of âNorway" we did at that same session. We wrote and recorded âI Do Not Care for the Winter Sunâ during a break between tours and released it on the internet for free, unmastered. Well, itâs finally been masteredâŠ
âWherever You Goâ is another song from that era. We always loved this song but thought it sounded too much like our old music. We didnât finish it until 2011 during the Bloom recording session. It appeared originally as a secret song on Bloom. âEqual Mindâ was also recorded during the Bloom session, but we left it off the record after realizing it had the exact same tempo as âOther People.â âSaturn Songâ is built on a piano loop we wrote while recording Bloom, and contains sounds recorded in deep space. It originally appeared on a compilation of songs incorporating space sounds that was released in 2014.
Finally, there are two previously unreleased songs from the Depression Cherry/Thank Your Lucky Stars sessions. They are called âChariotâ and âBaseball Diamond.â














